- Dxo photolab 2 highlight shadow how to#
- Dxo photolab 2 highlight shadow plus#
- Dxo photolab 2 highlight shadow series#
Dxo photolab 2 highlight shadow how to#
I added another image (edit) and paragraph to the article explaining how to use the different editing tools to get to a good end result. Hi Loannis, I think you mastered the basic principle of using the Olympus editing tools.
Knowing these techniques, and you will be able to use nearly any camera in the future. Here is another way of creating great shadows and highlight details. That said, one can create clean shadows and highlight details with the Photoshop 32bit HDR technique. Theoretically, this was not possible with the older E3. It can happen that your client prefers "hard" shadow details or blacks. Using leading lines or reference points will also help you. The direction of the sun is important and the camera focus points are also important. Keep in mind that shadows and highlights can help you to create contrasts. When you study images with balanced shadows and highlight adjustments, you will see a more natural 3D look. I also use the high detail HDR technique in Photoshop.
Dxo photolab 2 highlight shadow series#
Both started with the same series of bracketed images but with using different editing styles.
Dxo photolab 2 highlight shadow plus#
A different way of creating a personalized image styleīelow are two examples, one pushing for maximum shadow details plus a more balanced image. One is ETTR and the other was to simulate the "curves" mid-tone adjustment. In this example, I used exposure compensation for 2 reasons. The older EM5 and the EM10 II do not share the same Mid-Tone (Curves) adjustment as some of the newer Olympus cameras. See the above image, profile (below) which I used with the EM5 II:. Most will agree that these basics are only part of developing your own unique photography style.
That said, looking at only the technical aspects of digital photography, which is covered in detail on this site and it shouldn't be a problem for those studying my blog to capture and extract the best possible image quality (data) from almost any digital camera. How will the photographer recover from these unique situations? This is one of the many factors resulting in that plastic image look. Good examples are the camera removing the yellow cast from the room lighting at night or the orange cast from early morning or late afternoon landscape. Something not discussed much is the camera will always try to have a neutral color balance. Your photography style will be the connection to your digital photography and your image editing style that portrait pinned to a wall. This is the best way to differentiate your photography from others. With photography style, I mean to both the photographer's own unique photography and editing styles. I do think it is important for photographers to develop a unique photography style. That said, what is more important, having the "perfect" image out of the camera or developing the skills to create your own image style? What do people see when they discover your work? Will they see a uniform-looking Fuji or Olympus image look or do you prefer viewers to recognize your own unique image style? It's easy to say post-processing has become the bridge between the camera and creative photographers when many photographers do not have the right editing skills. Image editing would become the bridge between these shortfalls and empowering creative photographers. Already in the early days, it became clear that the digital camera was a compromise at best. The supply of lenses designed for digital cameras was in short supply and many photographers settled for a compromised solution. Others used sloppy noise reduction algorithms and smeared away image details. They were fitted with anti-aliasing filters and most couldn't accurately measure white balance. For many years digital cameras battled with small details or fine color nuances.
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